A Japanese meditation on grief and art, a psychosexual Western chamber piece, a splashy movie-musical makeover from Steven Spielberg and striking directorial debuts from Maggie Gyllenhaal and Rebecca Hall were among this year's standouts.
The stampede back to the multiplexes that was predicted for early 2021 didn’t quite happen, and the post-pandemic landscape for theatrical releases is still an uncertain blur, with the emergence of the Omicron variant unlikely to quicken the pace.
Still, getting away from our televisions and laptops and back to physical screenings provided an invigorating booster shot for lockdown-fatigued film critics, as did the return of Cannes, which bounced back from a year in limbo with one of its strongest editions in recent memory. Likewise, the fall festival trail of Venice, Telluride, Toronto and New York, all of which delivered their share of jewels, suggesting that the pervasive anxiety in the ether over the past 18 months hasn’t hurt creativity. All but one of my Top 10 and one Honorable Mention came from those festivals, or from Sundance and Berlin earlier in the year.
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