Key members of the Halo sound team - Brennan Mercer, Matthew Chan & Lou Solakofski - chat with us about working on the epic new paramountplus series. Check out our interview here!
Halo on Paramount+ is quickly establishing its own creative identity and becoming a worthy addition to the universe first established in the iconic 2001 video game. Despite a few slightly controversial changes to the source material, the new Halo series has successfully imagined the story of Master Chief into live-action. In fact, Halo season 2 has already been greenlit, promising viewers more time with John-117 and Cortana.
So, the sound designer is specifically putting in sound effects, and the mixers are taking the different sound elements and mixing them in context. Matthew Chan: Lou is the lead mixer, so he's looking after the dialogue and the music. Typically, the more experienced mixer is looking after those things. And then I'm the second mixer, and I'm looking after the sound effects. I'm working on all the stuff that Brennan, and we have another wonderful sound effects editor named David Caporale, I'm working with their material. Also the foley that's coming in, which is recorded in a foley studio called Footsteps.
Lou Solakofski: This is a good question, because being brought on to understand what was going to happen, and... because they did start shooting quite a long time ago. We were brought on pretty early, a couple of years ago, and there were many things that were like,"Hey let's do a sound experiment with this or that," even while they were shooting. Before they had any actual episodes put together.
Brennan Mercer: Yes. We've been very connected with their team because the sound of the game is so iconic and epic, and we needed to do that a great service to be able to be kind of consistent with that. So they've been very helpful in terms of... Any time a new weapon comes up, a new technology that exists in the game, or even if it doesn't, we always speak to the 343 team first.
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