Gaslight at 80, or his and hers realities

Gaslight Nachrichten

Gaslight at 80, or his and hers realities
Film NoirGas LightGregory Anton Charles Boyer
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George Cukor's 1944 film Gaslight is a bridge between the classic and the modern

1944 signaled a high-water mark for film noir with the release of Double Indemnity . The film codified elements that we now think of as genre tropes: the detective delivering backstory via voiceover, the shadows of Venetian blinds on the wall. But, really, Double Indemnity is Barbara Stanwyck ’s film; her Phyllis Dietrichson, the femme fatale to end all femme fatales, seduces a detective and gets him to help her bump off her husband.

His wife Bertha fell victim to congenital madness, you see, so he kept her locked and hidden in his attic. It was the only thing he could think to do. Jane runs away in the middle of the night, but returns later in the novel. Bertha has since burned the entire house down and died, and Rochester is disabled in the process. Jane agrees to marry him, and they look together toward the future—one that presumably doesn’t end with Jane in the attic.

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Film Noir Gas Light Gregory Anton Charles Boyer George Cukor Nancy Angela Lansbury Cameron Oscar In Film Double Indemnity Her Phyllis Dietrichson Jane Eyre Films Entertainment Culture Nancy Bertha Gregory Anton Alice Paula Ingrid Bergman Cameron Joseph Cotten Barbara Stanwyck The A.V. Club

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