Prolific composer — and 15-time Oscar nominee — Thomas Newman shares his favorite memories of crafting famous film score
something Christmasy about that movie, with the snow and New England. I don't think I specifically thought of Christmas — maybe insofar as trumpets and bells and some baroque brass writing, which can put you in a Christmasy place, with the metals and hand bells and song bells. So I take it back. I was thinking a little bit of Christmas because it imbued me with that feeling.I just remember meeting with [director] Diane Keaton and thinking what a lovely person she was.
I don't think they wanted to come out with the movie right away because of its subject matter [mob vengeance] and the state of the union. I remember because of the Irish heritage in it, all the way through the making of it and in post, Sam [Mendes] didn't want the music to reflect anything Irish. I think he thought that might be mundane or prescriptive. And Jill Bilcock, his editor, asked why.
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