In the latest entry in Sam Raimi and Bruce Campbell's series, a mother and her children must fight the demonic forces in their apartment.
is as much an homage as it is a corrective to Raimi’s original low-budget treat, which has been called out for its shallow and misogynistic treatment of women. They are not only widely considered underwritten, but also endure the most sadistic scenes. The women who populate Cronin’s film don’t suffer any less at the hands of the demonic spirits, but at least they have the chance to lead the charge in their own salvation.begins with an anxious Beth taking a pregnancy test in a gritty night club.
Fans of the franchise can guess what happens when an earthquake reveals an underground tomb beneath Ellie’s soon-to-be-demolished building. Curiosity overtakes her kids, whom she sent out to get pizza. Danny is especially keen on exploring the mysterious lockers and dusty artifacts in the cavern. Against his sister Bridget’s protests, the audiophile grabs a few records and the, that familiar flesh-bound book.
But it’s the performances from his cast that give the film ballast. Sullivan plays Beth as a tense figure — a person whose cool exterior betrays frayed nerves and general insecurity. When she comes to Ellie’s door, she’s seeking both the advice and comfort of her older sister, who, in her words, always knows what to do. Sutherland is assured as the collected older sibling, but she is even better as a demonic mother.
A possessed Ellie drags herself back to the apartment, her steps creating menacing thuds, and heads straight into the kitchen, where she methodically cracks eggs into a cast iron skillet. Cronin’s screenplay is light on character development, but there’s a deep interest — in the tradition of
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