The new documentary from director Brett Morgen hits theaters in September
is framed by Bowie’s own narration, which is taken from interviews and archival footage and not the
. Described as an “experiential cinematic odyssey” in a press release, the film uses retro-tinted animation to enhance the imagery, which can be spotted in the trailer. Beyond its lack of typical talking heads,promises to go beyond the typical documentary format and put its own spin on Bowie’s boundary-pushing philosophy and passion for art.
Of course, music is a major component of the film. Producer Tony Visconti, who worked with Bowie from the beginning of his career to his final album , was enlisted to revisit his past work for the documentary. Alongside sound mixer Paul Massey, Bowie’s original stems were remixed to be heard in a theatrical setting. A total of 48 songs appear in the project.
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