Drake's 'Honestly, Nevermind' is a geographical shift ushered in as comfortingly as possible, a muted vacation from a much busier place he’ll get back to after a while. CraigSJ writes
Photo: Drake via YouTube Black music traverses the planet along the same winding, unpredictable pathways Black people do: over oceans, up and down coasts, out from rustic hinterlands and into bustling metropolises. Wherever Black people are subsisting, there’s culture — ways, wares, and wisdom — exchanged. New musical concepts blow in like developing storm systems, and vibrant art springs up in their wake.
Honestly, Nevermind, Drake’s seventh album, released with little advance warning, seems designed to raise eyebrows. It’s both a noisy genre pivot and an embrace of sounds Drake has given his spin on in the past. Like the four-song streak where More Life posts “Passionfruit,” “Jorja’s Interlude,” “Get It Together,” and “Madiba Riddim,” Honestly, Nevermind celebrates the shared DNA tying African dance music to its international diasporic siblings.
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