The show divided viewers when it debuted at the Museum of Modern Art, with some critics saying the images were exploitative.
A 1972 retrospective of Diane Arbus’s work, mounted at the Museum of Modern Art just one year after she took her own life, divided viewers the way few exhibitions ever have.critic Hilton Kramer called it “an artistic and a human triumph,” praising the late photographer’s ability to “inhabit the mind and body and the milieu of certain people society has judged to be abnormal or unusual.
It’s no stretch to say that the show changed the way photography, a once-marginalized art form, was perceived by the institutional art world. And now, a full 50 years later, it’s going on view again.Opening today at David Zwirner in New York is “Organized by Zwirner and Fraenkel Gallery in San Francisco, who jointly represent the Arbus estate, the show brings together 113 of the artist’s photographs across two floors and seven gallery spaces.
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