Designers at the two-day showcase highlighted environmental issues and local production.
Organizers said in light of the war in Ukraine, the prize would support its three former semifinalists from the country: Anna October, Julie Paskal and Anton Belinskiy. October used the prize’s platform to let buyers know she was showing at the Paper Mache Tiger showroom in Paris until Friday.
“It’s highly selective, and just being here today is already a huge win for the designers. It allows them to meet industry experts ranging from editors to makeup artists, photographers, models, stylists and department store buyers. Even if they don’t win, these are people that can further their career and boost their notoriety,” said Arnault.
“The LVMH Prize is an amazing platform that allows you to meet so many people, that when it’s only digital, it’s a little frustrating,” he added. “I’m making things that hopefully people will want to keep for a lifetime and the quality is definitely there. I spend a lot of time researching these fabrics,” Curry added.
That’s also true for Irish designer Róisín Pierce, who works only in white, using ruching techniques inspired by local craftsmanship to make her zero-waste garments, which are produced in Ireland. The collection is available exclusively in three Nordstrom Space locations. “My collections today have almost launched all digitally, except for the ones that year where there were showrooms, but it really gets a different reaction when you can see, and almost sense them and touch them,” she said. Likewise, Shanghai-based designer Chen Peng produces his collection, which is pronounced like Champagne, exclusively in China. He specializes in down material, which he used to make everything from oversized coats to ski-style pants.
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