Covering the sh*t you like since 1984.
Cole Escola has just picked up Marie Dressler’s autobiography. The silent film star had many transitions throughout her career, from vaudeville to playhouses to silent films and, much later, the talkies, during which she won a late-in-life Academy Award for Best Actress. As Escola sees it, they’re having a bit of a Dressler moment as well., has opened to universal acclaim, but Escola’s not paying attention to any of that, as they tell me after a string of performances last week.
I mean, you have been lauded more recently as a herald, or revolutionary, for queer comedy. Is that something you have to also put your blinders on, when people start talking to you like that? Where does that fascination come from? Throughout your career, for lack of a better word, you inhabit so many old-timey women, figures of the American imagination.
You’ve talked a little about feeling wrecked by performing and have said, after Mary wraps, you want to go back to writing. With the reception being what it is, and the success of the show, are you still holding true to that? Do you feel people’s attitudes towards producing on social media has changed much from when you started?
But I’ll be honest. I think the play is better. But still, it’s all money. We can’t live outside capitalism. We’re inside it!Our Home Out WestYes, but only because I have ideas for it. She’s the best, she’s the most fun to work with. Literally making everybody laugh every second. She’s so generous with everybody and with me especially. She’s come to see the show a few times and she’s coming back for me. I just wish I could say something bad about her that you could use as a pull quote. Maybe I’ll make something up. Amy can’t sing or dance. How about you make that the headline?that I’ve been thinking about while we’ve chatted.
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