Abstract cyanotypes by camera-less photographer Natalie Cheung.
In a unique blending of mediums, the works of artist
While studying film photography during the height of the “digital revolution,” and as traditional photography began to gravitate towards pixels, Cheung chose to dabble in the creation of new works in the darkroom without the aid of film images.“When the digital revolution in the photo world took over a few years into my career, I started to think a lot about the essence of the medium: documenting a moment in time with light.
“I think about my process like controlled experiments: there are control elements and there are factors I can play with to create a little chaos. I never know what’s going to happen exactly. Sometimes the artwork is a dud and sometimes it’s wonderful and that is very exciting,” Cheung says.
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