How Brothers Osborne made 'Skeleton' for the stage
, TJ and John decided to try some things they’d never before attempted on record.
“Muskrat Greene” is part of a two-song suite that concludes with “Dead Man’s Curve,” a supercharged two-minute scorcher that comes in on tempo and in the same key. A warning about messing with a woman with two six-foot-four brothers, it includes a callback to a similar line in the towering duo’s “Shoot Me Straight.”
“I always loved when artists did that,” John says. “If you listen to a Stevie Wonder song and he’ll bring in another singer, or Prince would do that. And Alabama would do stuff like that. When it gets back to the lead vocalist, it’s a great transition.” “There’s a lot of variety in that one little song,” TJ says. “Unless you really sat down and dissected it, you might take it at face value for being a throwback country song, which is what we wanted it to be. We didn’t want it to sound overly complex or overthought, even though it’s probably more complex than someone would realize at first listen.”
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