When asked what about the cuts and revamps he made to FunnyGirl, Harvey Fierstein shrugged: 'Ah, that’s none of your business.”
In the lobby of the theater, leaning against the wall after a barrage of press and her opening night bows, Feldstein could use a second to breathe.
Indeed, “Funny Girl” has been around long enough — and levied its generational influence through Streisand — to mold a second leading lady in its own image. “At the beginning of the musical, I have 38 seconds to go from being Fanny in her mid-30s to being Fanny at 17. My wig is pulled and costume torn down, and there’s that Fanny that wants to be on stage, and that’s how I felt my whole life,” she toldTruthfully, the forces that are bound to pull and tear at this revival are impossible to sort out.
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