Jean Curran handmade 13 prints from the film’s original reel — just in time for its 60th-anniversary presentation at Cannes.
’s depiction of French bombshell Bardot. The actor plays Camille Javal, who grows frustrated with her inept husband, Paul, who has been pawning her off to an American producer who shamelessly flirts with her. Paul wants to secure his paycheck and the opportunity to write hisadaptation for famed director Fritz Lang, so he lets the man keep hitting on his wife and even says he’s unbothered by the idea of the two spending time alone.
Curran’s images, presented by Galerie Miranda in Paris, take the New Wave director’s color film and render it in lush detail in her chosen medium. Curran says that her narrative is partially “about their use of color” and what she sees as a continuation of Piet Mondrian’s investigation into saturated bursts of primary color and Yves Klein’s sumptuous blues. Dye-transfer printing was one of the earliest methods of creating a full-color photograph, using multiple filters to create an image.
“It takes time to get things right, to feel like you honored the intention of Godard and everybody,” Curran says of her project, which she began in 2020 after getting the go-ahead from rights holders StudioCanal, Godard, and Bardot. “It’s very much about having the freedom to be the artist you want to be. He’s referencing so many things and movements within it and was the first person to break filmmaking open and move forward.
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