‘Ambulance’ Review: To Live and Drive in L.A.

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‘Ambulance’ Review: To Live and Drive in L.A.
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Michael Bay is back with ‘Ambulance,’ and it’s his best film in years.

). Danny’s father adopted Will when he was young, but snippets of dialogue reveal this was not a happy childhood for anyone — even if Bay confuses things a bit by throwing in magic hour slo-mo flashbacks to Danny and Will as kids blissfully playing cops and robbers in a lot full of vintage cars.Apparently, while Will and Danny were off having fun, dear old dad was out robbing banks. When his sons grew up, he wanted them to join the family business.

Meanwhile, a tough-as-nails EMT named Cam is busy breaking in a new partner . He claims she’s so focused on her work that she’s earned a bad reputation around their department as a cold, unfeeling grump. She’s also so good at her job that she can supposedly keep anyone alive in an ambulance for 20 minutes — butThat’s typical of Bay’s recent work, which emphasizes eye-popping visuals over any semblance of narrative coherence or clever plotting.

-This is Michael Bay’s second movie in a row where someone performs improvised surgery inside a speeding vehicle in the middle of a police chase. What’s up with that? was made in Los Angeles, on real streets and around real buildings. With more and more movies seemingly shot in front of a green screen, and filled with atrocious CGI backgrounds, it’s so refreshing to see an action movie that looks like it take place in the real world, and features practical stunts.

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