Tyler Gillett and Matt Bettinelli-Olpin address burning questions about their horror-comedy.
Thanks in large part to their success with Scream and Scream VI, directors Tyler Gillett and Matt Bettinelli-Olpin earned the exciting opportunity to develop the horror-comedy Abigail , putting their signature spin on the world of classic Universal Monsters.
Gillett: Over Peter's dead body as Joey and Frank run in. And we were like,"Well, what if it was a full-on music video?" Gillett: And when Matt says we tried everything, it was like "Careless Whisper" at one end of the spectrum and King Diamond's"Abigail" at the other end of the spectrum. Those were the guardrails when we were searching for a track for that. And yeah, man, Danzig for the win. We say that it's amazing to us that the best inside jokes are the ones that ultimately make it across the finish line, and that's one of them. We were like,"There's no f-cking way.
Gillett: I mean, that's obviously the amplified version of that. I do think that you could cut any scene in any of our movies in one of those very narrow lanes, and I think it's our job to figure out how to make those things intersect and play well together. So I don't think it's necessarily that there's a comedy version or a straight horror version filmed.
Matthew did not have to audition because we are mega fans, specifically, of his portrayal of Robert Evans in The Offer. It's like a 10 out of 10, if you haven't seen it. But when he said he'd do it ... Sometimes you're looking for something and then, at a certain point, it's like it fits the box and you go,"Oh, my God, there it is. That's it.
Bettinelli-Olpin: Well, there's the one that I was going to go to because I think, for us, it's really fun because we have the Henry portrait in the background, and then we also have Larry Fessenden, horror Icon, who did the voice of the DJ in an anthology we did a few years ago called Southbound. He reprised his role as the DJ, and you can hear him during the game room scene where they all get to know each other.
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