All killer and no filler, an essential round-up of the year’s finest literary offerings.
is the story of Maria Griffiths, a punk hero and disaster gay simultaneously dealing with a break-up, job-loss and impending homelessness. Frustrated, she hijacks her ex-girlfriend’s car and sets out west from Brooklyn, causing chaos in her wake and musing on the social conditioning ofwith a great deal of personality, charm, and irreverence.
“Eventually you can’t help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs,” Maria says in the book.
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