In an age of television where nothing is more attractive to networks than established I.P., it’s not enough to build a solidly performing drama on a humble plot of land. It’s all about the hydra-he…
In an age of television where nothing is more attractive to networks than established I.P., it’s not enough to build a solidly performing drama on a humble plot of land. It’s all about the hydra-headed franchise these days, with even a series like “Law & Order” clawing back its territory following a decade of austerity measures.
Elsa provides the voiceover for “1883,” which opens with a vignette from an especially devastating setback to the Duttons trek west before flashing back to the trip’s auspicious beginnings. Relatively auspicious, anyway, since the series revels in exploring the litany of mortal threats its characters face.
Sheridan reportedly developed the series after being urged to do so by studio executives, so it’s to his credit that “1883” never feels like a perfunctory franchise expansion. Of the three episodes made available, Sheridan directed two and wrote all three, a larger foundational investment than most dramas get.
Despite the presence of two country music legends, the most pleasant surprise in the cast is May, who carries the voiceover and quickly cements Elsa as “1883’s” most alluring character. May’s star turn is made all the more interesting by her slight acting resume, which was previously anchored by a starring role in Netflix’s low-profile kid-com “Alexa & Katie.
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